Home >  Journal Main >  51st Venice Biennial - Getting There  <Prev Next>

51st Venice Biennial - Getting There

The train tracks to Venice parrallel a lineof boats in the distance.  The profile of city can be seen at the horizon.  The sun is just rising and the sky is still red.

  The night train from Nice arrives in Venice at dawn.  I spent an extra 20 euros for a "couchette" which is a small bunk bed suitable for a European.  They cram six narrow beds into a small closet, a bit cramped but it did allow me a bit of sleep.  This train is the only approach to Venice by land.  There are no cars in Venice--at all.  The usual route is by boat so they have marked routes that parallel the railway to bring in supplies.  The train is for passengers.

A crowd of supply boats enter the city along the Grand Canal.  In the background is a foot bridge.  In the middle of the frame is a yellow square with the image of the "Mona Lisa".
  There are two ways to get around in Venice: by boat or by walking.  Commuters can take the waterbus but there are also watertaxis (or if you are not going anywhere you can take a gondola).  I paid to take the waterbus from the station but the ticket clerk was in a bad mood and short changed me.  After that I just walked everywhere. 
A long row of Gondolas sit side-by-side each nearly the same but differing in detail.  In the background is the Rialto bridge.
  The gondolas are amazing pieces of craftsmanship.  Each is custom made to exacting traditions but varies in the elaborate decoration.  The Venetians just love decoration.  The more the merrier.  The gondoliers seem quite proud of themselves too and wear their striped shirts and straw hats like they are fashion models. 
A small yellow water-bus stop sits in front of a large rocket shaped tower.  The tower has a display on one side that has a blue abstracted rendition of water.

  Waterbus took me right to the main Biennial site.

A moss covered statue of an old woman is nearly invisible against the foliage of the trees growing near the Giardini.  She is missing her right forearm and most of her left arm.
  Venice was once the center of the art world so the place is littered with classical artwork in a style that must date somewhere in the Renaissance.  This piece, just outside of the Biennial "Giardini", is my favorite so far of the many statues to various heroes, mythical characters and politicians that are scattered about in every town in Europe.   She is old, out of fashion, covered in moss, missing most of her limbs, all but forgotten, but still beautiful.  Venice.

10 Octobre 2005

Home >  Journal Main > 51st Venice Biennial - Getting There  <Prev Next>