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Ancient art at the Louvre

Image of the Art Nuveau entrance to the Paris Metro in front of the Louvre.

  The Louvre opens earlier than a lot of the museums in Paris so I took a few hours to see it.  You should laugh because it would take a week just to have walked through the whole Louvre so I didn't make much of a dent in what was there.  My priority was to see the ancient art sections but I was disappointed that some exhibits like the Iranian were closed.  I have noticed that European museums like the Louvre have a better collection of ancient artifacts than many of the countries where they originally came from.  Some of the items were gifts to dignitaries, private collections that were donated to the museum, or outright theft from previous wars, doesn't matter, the result is that there are better examples of Greek art in the Louvre than at the museum at the Parthenon.

Three dark gray vessels made out of basalt rock appear to be perfectly roound as if turned on a potters wheel except for small protruding handles.
  Starting at the oldest section, Egyptian.  These small stone vessels, from 5 to 6 thousand years ago, were 2 to 6 inches tall and made out of some of the hardest stone (basalt).  I saw smaller pieces with similar small loops on the side that still had gold wires running through them to form a handle.  The shape is the same as you might expect from a clay vessel turned on a potting wheel so I am suspicious that these stone pieces are precious rarities modeled after common clay vessels and are not typical of the time but rather just what has survived.  The only way they could have worked this stone at that time was by slow abrasion.  It must have taken months to create one of these.
Stone heads 6 to 8 inches tall each have personal characteristics such as "laugh-line" wrinkles at the corners of the eyes or uniquely shaped heads particular to one individual.
  These heads are only half as old so the technique of working very hard stones was well worked out by then.  Most of Egyptian art revolves around death and these were described as commissions for tombs.  Their small size seems to indicate that they represent people of only intermediate political importance.  (We've all seen the stuff that celebrate the Egyptian royalty so I won't dwell on it here.)  These portraits seemed more lifelike to me than the stylized royal portraits.
the faces of this man and woman are in perfect condition but the base and legs have nearly rotted off.  The stance is the stiff formality of Egyptian art but the expressions are less serious.  Their position seems what one would excpect of two members of an adoring crowd.   I was surprised to see several wooden pieces that were thousands of years old.  Some were in near perfect condition.  This couple was over 4000 years old.  I have always been convinced that there must have been art for the common people that simply didn't survive as well as the royal and funeral related stuff but I have little evidence of that.  To my eye though, this seems like a happy couple.
several chairs described as thrones by the museum could be two chairs, two small tables, and a bed--what do I know?
  The Greeks were a little better about depicting the common lifestyle but these miniatures from just before the time of Christ are still rare.  They were described as "Thrones" but I'm suspicious that they are just furniture. 
A close up view of the famous Venus de Milo.  Her face is in perfect condition despite being thousands of years old.
  Ok.  One can't go into the Greek section of the Louvre without paying homage to Venus de Milo.  I had to wait until a long line from a Japanese Tourist bus passed by with each person posing in front of her.  I suspect that nearly everyone who has visited this part of the Louvre has a picture of Venus in some form.  That makes her pretty close to my idea of a common experience of art.
A stone relief depicts two people sitting amongst what must have been a luxurious setting with lots of fabric pieces of furniture and a horse.  The heads are missing and instead are depressions suitable for installing a separate portrait.  Probably a best seller.
  A lot of surviving sculpture from the Greeks is funeral stuff and some pieces like this one seem to have been mass produced to be ready to insert your loved one's portrait into the available slot.  Not everybody has the opportunity to plan ahead you know. 
A fragment of a mold for creating a small figure out of clay.  The negative and positive are presented.  The fragment is of the bared torso of a woman.  Another best seller.
  Getting a little closer to what I was looking for, I discovered this mold which was intended for mass producing terra-cotta figures.  They were easy to make and so must have been affordable.  The description in the museum admitted they didn't know exactly what these figures were used for but I suspect that they were hocked on the corner like tourist trinkets so everybody had one. 
femal figures with wings look like angels.  Clay prints of the goddess Nike.   One fun discovery for me was Nike because she has been so thoroughly adopted as the modern image of the "angel".  (Which is odd because I don't think the Greeks even wore underwear).
A French classical painting of two houses at the seashore.  The whole scene presents a general dilapidation that must have been based, at least in part, on reality.    The "French Painters" section was mostly biblical scenes and portraiture of aristocrats but there were a few depictions of the life of the common people (even if they were probably romanticized).  After seeing room after room of portraits that were intended to capture a person for posterity and religious images that dealt with the afterlife I found myself hungry for paintings that celebrated life.
A young man stnads in front of an easil and glances at the original oil painting that he is copying.  This time honored way of learning apparently continues but it is the first time I have ever seen it.
   In the context of this huge archive of old art it was refreshing to see someone actually creating art.  In the small portion of the Louvre that I visited there were perhaps a dozen painters like this one who were copying works on display.  It was great to see someone willing to spend hours if not days or weeks with one painting rather than being so overwhelmed by the dozens in every room.  It was sort of like visiting the umpteenth empty cathedral and finally meeting someone who was actually praying. 
   A few hours of the Louvre was enough for this trip.  I headed back out to the streets. 

28 Octobre 2005

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